|
|
|
|
| LEADER |
02976pamaa2200205 4500 |
| 001 |
0000043690 |
| 005 |
20121212090000.0 |
| 008 |
080512 eng |
| 020 |
0 |
0 |
|a 052165033X
|
| 090 |
0 |
0 |
|a PN3383.N35
|b ABB 2002
|
| 100 |
1 |
0 |
|a Abbott
|
| 245 |
1 |
4 |
|a The Cambridge introduction to narrative
|c H. Porter Abbott.
|
| 260 |
0 |
0 |
|a Cambridge, UK ; New York, NY, USA:
|b Cambridge University Press,
|c 2002.
|
| 300 |
|
|
|a xiv, 203 p.:
|b ill.;
|c 24 cm.
|
| 500 |
0 |
0 |
|a Machine generated contents note: Chapter 1 Narrative and life 1 -- The universality of narrative 1 -- Narrative and time 3 -- Narrative perception 6 -- Chapter 2 Defining narrative 12 -- The bare minimum 12 -- Story and narrative discourse 14 -- The mediation (construction) of story 17 -- Constituent and supplementary events 20 -- Narrativity 22 -- Chapter 3 The borders of narrative 25 -- Framing narratives 25 -- Paratexts 26 -- The outer limits of narrative 27 -- Is it narrative or is it life itself? 31 -- Chapter 4 The rhetoric of narrative 36 -- The rhetoric of narrative 36 -- Causation 37 -- Normalization 40 -- Masterplots 42 -- Narrative rhetoric at work 46 -- Chapter 5 Closure 51 -- Conflict: the agon 51 -- Closure and endings 52 -- Closure, suspense, and surprise 53 -- Closure at the level of expectations 54 -- Closure at the level of questions 56 -- The absence of closure 57 -- Chapter 6 Narration 62 -- A few words on interpretation 62 -- The narrator 63 -- Voice 64 -- Focalization 66 -- Distance 67 -- Reliability 69 -- Free indirect style 70 -- Narration on stage and screen 72 -- Chapter 7 Interpreting narrative 76 -- The implied author 77 -- Underreading 79 -- Overreading 82 -- Gaps 83 -- Cruxes 85 -- Repetition: themes and motifs 88 -- Chapter 8 Three ways to interpret narrative 93 -- The question of wholeness in narrative 93 -- Intentional readings 95 -- Symptomatic readings 97 -- Adaptive readings 100 -- Chapter 9 Adaptation across media 105 -- Adaptation as creative destruction 105 -- Duration and pace 107 -- Character 109 -- Figurative language 111 -- Gaps 114 -- Focalization 115 -- Constraints of the marketplace 118 -- Chapter 10 Character and self in narrative 123 -- Character vs. action 123 -- Flat and round characters 126 -- Can characters be real? 127 -- Types 129 -- Autobiography 131 -- Life writing as performative 134 -- Chapter 11 Narrative contestation 138 -- A contest of narratives 138 -- A narrative lattice-work 142 -- Shadow stories 144 -- Motivation and personality 146 -- Masterplots and types 148 -- Revising cultural masterplots 150 -- Battling narratives are everywhere 152 -- Chapter 12 Narrative negotiation 156 -- Narrative negotiation 157 - ritical reading as narrative negotiation 162 -- Closure, one more time 168 -- The end of closure? 171
|
| 501 |
0 |
0 |
|a SAH
|
| 504 |
0 |
0 |
|a Includes bibliographical references (p. 183-186) and index
|
| 650 |
0 |
0 |
|a Narration (Rhetoric)
|
| 650 |
0 |
0 |
|a Fiction --
|x Technique
|
| 901 |
|
|
|u http://www.cambridge.org
|
